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She brings this flavor to the short story Livvie as well. For example, as Livvie walks down the Trace, she finds a “graveyard without a church, with ribbon-grass growing about the foot of an angel".and where "Scary thistles stood looking like the prophets in the Bible in Solomon's house" (from Livvie, as quoted in Claxton, 2005, p.79)Įudora Welty, being an accomplished photographer, is renowned for her emphasis on the visual aspects of domestic and social settings. Livvie, in contrast, is tending toward the opposite view, as the metaphors employed by her illustrate. Rigid, immutable views about the revealed word of God and the roles of men and women. (Allen, 1999, p.35)In Livvie, Welty also subtly mocks the respectable Christian image of Solomon, who is portrayed as an old man with There is also a similarity between the characterization of Livvie and the historical fictional character Persephone, in that both characters journey forth to the surface of the earth, and avert death through the renewal of spring. For example, the Book of Hour's emphasis on seasonal changes is analogous to the cycles of human life that are pondered over in Livvie. While this sort of conflict had been well-explored and presented by many feminist writers of the last century, Eudora Welty's offering is not so much distinguished by the narrative method but by the story's thematic structure which is “far more complex and subtly adjusted to the ambiguities of actual human experience" (Claxton, 2005, p.78).The story is also remarkable for the motifs it employs to depict the inner spiritual journey.Īs Welty has stated in interviews, she took inspiration from medieval texts such as the Book of Hours for the writing of the story. But thereby, she takes the risk of abandoning the safety and security provided by the husband and entering an outside world where passion may be discovered at the cost of losing orderliness. One of the people whom she meets outside her domestic setting is Cash, the young farm worker, who offers Livvie an escape from the boredom of her marriage.
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This makes her feel that she is entrapped in the relationship. Although the married life provides some personal security and regularity, it lacks passion. The story revolves around the nuptial life of Livvie, who is married to a much older man, Solomon. This is reflected in the outer atmosphere, where the season transits to spring. The story, in essence, is the resurrection of the main characters' life, from the realm of death. The story in question, Livvie, has won both critical as well as popular acclaim.